Charlotte Ballet
Tessa Walker
Truly, I am shocked at some of these reviews. We have had nothing but a supportive experience. I am not necessarily a helicopter mom, but I am a protective mom. From experience, this studio respects parent concerns, addresses them promptly and professionally (no matter what they are), and follows up. I have met several leaders, managers, directors, the academy experience manager and they are such a pleasure. Each and every one of them. Any time I had a question about my daughter, they found an answer. All these comments about money, I mean, can you really put a price on that? Access to your child? Healthy body positivity in a world that can go astray so quickly? Phone numbers and emails for people to check on your child's progress and well-being? A portal with 24/7 access? If this is what you want, then Charlotte Ballet is for you. If it comes down to money and you can compromise the rest then I totally get it. Again, I'm surprised at anything less than 5 stars.
Nataliya Kuropas
We have tried two other dance schools closer to home before Charlotte Ballet Academy (CBA), as CBA's main location is 50min+ commute for us. Growing up, I danced semi-professionally, so I could immediately see the VERY significant difference in the level of training at CBA for teachers and students. Ms. Veronica at Beginning Ballet is wonderful, and so is her assistant. They work together with much kindness, encouragement and professionalism toward their students. My daughter's love for ballet has continued to blossom -- she is completely mesmerized by her teachers, as well as the grace and beauty of the older dancers. We are grateful to have a ballet school of this caliber in Charlotte!
brooke782
We have been involved in dance since 2008. This is the best experience we have had for the intermediate to advanced dance levels. The instructors are tough and require a lot from the dancers, but they are very kind and encouraging. They have brought out so much in my daughter. We drive an hour to attend this Academy and have never regretted making the switch. We have had wonderful experiences with the other dance families. They welcomed us with open arms. There were some poor reviews regarding Danielle. I too found Danielle to appear curt initially. However, after a year at the Academy, I have discovered she just has a style that is direct. She has been very patient with all my "first year" questions - and there have been a lot. Lastly, to address the concern about using likenesses. It an Academy that large with that many moving parts, there is no way to single out a few kids and be sure they never appear in anything. I have been part of very small studios where it is still nearly impossible. Unless the studio never documents anything or does no advertising, I don't see how they could ever promise that.
Keith Pierce
Though my wife is more of a ballet person than I am, neither of us knew what to expect from this 1973 Las Vegas take on "Carmen," but WOW! We we hooked from the very beginning. The color, the drama, the dancing, the musiceverything was just stunning. The performers were amazing to watch, and the way they told the story through movement was so powerful and clear, even for someone like me whos not a big ballet guy. It was bold, emotional, and visually gorgeous. We left the theater genuinely impressed and already talking about what we want to see next. Huge kudos to Charlotte Ballet for an unforgettable night.
Abby Ruth Cortes
Have been coming here for adult ballet for two years now.. it is such an elevated and sophisticated program, and my instructor Lauren is so present and intentional with her students. So glad to see there is now a Ballet II and that the classes are growing. Couldnt recommend enough!
Michael-Paul James
A Realm of Existence was extraordinary. While Charlotte Ballet delivered an exemplary performance of Johan Ingers Walking Mad, an innovative exploration of relational barriers, I want to focus on the original works. Dos y Dos y Dos presented one of the most vulnerable expressions of dance I have ever witnessed. From the opening ripples to the powerful finale, the raw emotion captured in their movements felt otherworldly. The subtle messaging conveyed a raw yet refined sexuality, striking a careful balance between intense desire and tasteful restraint. Cloudless showcased an intimate expression of gentleness and seamless movement. At times, it felt as if the two dancers were one, their synchronization so flawless that the audience hesitated to applaud, needing a moment to process the experience. Initially, PACOPEPEPLUTO appeared to be performed in the nude, with only a skin-colored G-string and careful hand placement maintaining modesty. I am not generally a fan of burlesque or cheap tricks, so I braced myself. Gradually, the piece quickly revealed its true nature of awe and wit. The first movement displayed incredible strength, each muscle fiber articulated through the choreography, showcasing the raw power of ballet. As the subsequent dancers introduced playful elements, the performance transformed, eliciting bursts of laughter from the audience. I have loved the direction Alejandro Cerrudo has taken the company. His leadership brings a refreshing sense of collaboration and creativity. I especially appreciate how he partners with his dancers, setting aside ego to foster innovation. This approach not only strengthens the artistic integrity of the company but also cultivates a unique environment where dancers can express themselves fully. The blend of vulnerability, strength, and humor throughout the program was inspiring. I look forward to seeing more original works and the continued evolution of the Charlotte Ballet under his guidance.
Kat
I love everything Charlotte Ballet does. Incredible talent, top notch set design and innovative performances.
